
Appraisal: 1926 Tom Barnett "The Rapids" Oil
Clip: Season 30 Episode 15 | 2m 36sVideo has Closed Captions
Appraisal: 1926 Tom Barnett "The Rapids" Oil
In Grant's Farm, Hour 3, Susan Kime appraises a 1926 Tom Barnett "The Rapids" oil.
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Appraisal: 1926 Tom Barnett "The Rapids" Oil
Clip: Season 30 Episode 15 | 2m 36sVideo has Closed Captions
In Grant's Farm, Hour 3, Susan Kime appraises a 1926 Tom Barnett "The Rapids" oil.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: So, about two years ago, my uncle passed away and this painting was in his house that he grew up in.
It was given to his mother Rose Corrubia for her wedding.
Her dad was Angelo B.M.
Corrubia, and he was a well-known architect in St.
Louis.
And he was friends with Tom Barnett, who's the artist of this painting.
APPRAISER: And so now it's your painting.
GUEST: Now it's my painting.
APPRAISER: Tom Barnett was an architect and a painter.
First and foremost, he was an architect.
His father, George, was an architect of some renown.
Tom was born in 1870, and he started his own architecture firm-- Barnett, Haynes, Barnett-- with his brother and brother-in-law.
The firm did a lot of noteworthy buildings around town, including the Cathedral Basilica.
Later on in his career, he started painting.
He studied under Paul Cornoyer, who was a very well-respected artist.
The painting is oil on canvas and it's done in an American impressionist style, using very bold strokes of bright color.
And this painting, "The Rapids," was done in 1926.
GUEST: Okay.
APPRAISER: So, three years before he died.
So, it was at the height of his career.
Because he was so already established in architecture, there was a demand for his paintings, and he was quite talented as an artist.
He painted a mural for the State Capitol in Jefferson City.
His work is in permanent collections at the St.
Louis Art Museum, the Missouri History Museum, and also right here at Grant's Farm, in the collection of the Busch family.
GUEST: Wow.
(laughs) APPRAISER: So, it's, uh, kind of notable.
GUEST: It's been hanging on a wall for 50 years.
APPRAISER: It's really impressive due to its size.
And being in the auction business myself, and also from St.
Louis, I always get excited when I see a work by Tom Barnett.
It's not that often that you find his work.
This is a case where I think the value in St.
Louis would be greater than the value if you were to ship it to New York or California.
Easily, an auction estimate for this painting would be $5,000 to $7,000.
GUEST: Wow.
(chuckles) That's awesome.
APPRAISER: Yeah.
If you were to send it somewhere else, it might be around $2,500 to $3,500.
GUEST: I'm gonna keep it at home.
Appraisal: 1864 Civil War Collection
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Clip: S30 Ep15 | 3m 15s | Appraisal: 1864 Civil War Collection (3m 15s)
Appraisal: 1941 Bandelier National Monument Poster
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Clip: S30 Ep15 | 2m 48s | Appraisal: 1941 Bandelier National Monument Poster (2m 48s)
Appraisal: 1943 Hamilton Model 22 Chronometer
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Clip: S30 Ep15 | 1m 4s | Appraisal: 1943 Hamilton Model 22 Chronometer (1m 4s)
Appraisal: 1962 Ahmed Yacoubi "A Spell Against Evil" Oil
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Clip: S30 Ep15 | 2m 18s | Appraisal: 1962 Ahmed Yacoubi "A Spell Against Evil" Oil (2m 18s)
Appraisal: 1979 - 1981 Iran Hostage Archive
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Clip: S30 Ep15 | 4m 24s | Appraisal: 1979 - 1981 Iran Hostage Archive (4m 24s)
Appraisal: 2038 BCE Sumerian Cuneiform Tablet
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Clip: S30 Ep15 | 2m 55s | Appraisal: 2038 BCE Sumerian Cuneiform Tablet (2m 55s)
Appraisal: A. Paul Brooks Silent Film Art, ca. 1927
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Clip: S30 Ep15 | 3m 21s | Appraisal: A. Paul Brooks Silent Film Art, ca. 1927 (3m 21s)
Appraisal: Carl Kauba Cowboy Bronze, ca. 1900
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Clip: S30 Ep15 | 2m 53s | Appraisal: Carl Kauba Cowboy Bronze, ca. 1900 (2m 53s)
Appraisal: Cartier Art Deco Tutti Frutti Clutch, ca. 1925
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Clip: S30 Ep15 | 2m 21s | Appraisal: Cartier Art Deco Tutti Frutti Clutch, ca. 1925 (2m 21s)
Appraisal: Golden Venture Paper Sculptures, ca. 1995
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Clip: S30 Ep15 | 3m 42s | Appraisal: Golden Venture Paper Sculptures, ca. 1995 (3m 42s)
Appraisal: Harry Bertoia for Knoll Chairs, ca. 1970
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Clip: S30 Ep15 | 1m 16s | Appraisal: Harry Bertoia for Knoll Chairs, ca. 1970 (1m 16s)
Appraisal: John Young Apollo 16 & STS-1 Group
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Clip: S30 Ep15 | 3m 25s | Appraisal: John Young Apollo 16 & STS-1 Group (3m 25s)
Appraisal: Laykin et Cie Gold, Lapis & Diamond Bracelet, ca. 1960
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Clip: S30 Ep15 | 2m 15s | Appraisal: Laykin et Cie Gold, Lapis & Diamond Bracelet, ca. 1960 (2m 15s)
Appraisal: Massachusetts Chippendale Slant-front Desk, ca. 1765
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Clip: S30 Ep15 | 3m 2s | Appraisal: Massachusetts Chippendale Slant-front Desk, ca. 1765 (3m 2s)
Appraisal: Victorian Gold & Enamel Bangles, ca. 1890
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Clip: S30 Ep15 | 1m 55s | Appraisal: Victorian Gold & Enamel Bangles, ca. 1890 (1m 55s)
Appraisal: Walt Disney-signed Roy Williams Drawing, ca. 1958
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Clip: S30 Ep15 | 1m 29s | Appraisal: Walt Disney-signed Roy Williams Drawing, ca. 1958 (1m 29s)
Appraisal: Zark Pottery Vase, ca.1910
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Clip: S30 Ep15 | 1m 57s | Appraisal: Zark Pottery Vase, ca.1910 (1m 57s)
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Preview: S30 Ep15 | 30s | Catch a crop of ROADSHOW discoveries at scenic Grant’s Farm in St. Louis, Missouri. (30s)
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